8.12.2006

Feeding the Muse

Finally, after all my reading into being creative, I have found something to actively work on.

In the last few weeks, I’ve been completing, when I have the time, Twyla’s Creative Biography. She had thirty-three questions about my past, current and future creative endeavors, as well as questions about my muse and inspiration. I became sad and stopped for a while around those two. My answers were quiet sad.

There isn’t anyone who inspires me every day (should there be?). And no one, save for the voices in my head, is my muse.

In all honesty, I started getting depressed when asked what I had in common with my heroes. As much as I looked, I had very little in common with those I admired. Nothing in our lives matched up, save for this desire to create a story on paper. While I didn’t expect find something that clicked, it did depress me a bit.

Either through sheer stubbornness not to quit or severe masochism because I hate myself, I stuck Ray Bradbury’s Zen and the Art of Writing in the bathroom. I started reading it months ago, but petered out due to site closures. This way, even in short bursts, I hoped to gain some of his enthusiasm for writing.

I hit the section of the book where Mr. Bradbury runs though his Muses and how they’ve changed over time. This writer and this artists for this time, then he moved on to this writer and this comic strip, or this series or whatever. I found it fascinating to see how he changed and grew through what inspired him. All fed his muse.

Feeding the Muse is one of those passive things that most creative types assume happens or doesn’t. Of course, I often wonder how much any creative type thinks about anything in the way of using and controlling their creativity. I worry that I’m some obsessive freak wasting time on figuring shit out while I should just being doing, but I console myself with the fact that once I worked some things out the creation process will run smoother.

I’ve decided I need to feed my Muse. Two things that fire me up higher than a space shuttle launch: 1) Innovated creativity and, 2) artists talking about their work. By innovated creativity, I mean things like Okay Go’s Here It Goes Again video and Kevin Smith’s Clerks. When I lived back home on the farm, I used to attend Mott Community College’s Student Art Show ever year. I would spend hours looking everything over, just thrilling to the rawness and new perspectives.

Two DVDs in my collection that I put on for a spark now and again are Jerry Seinfeld’s Comedian and Kevin Smith’s An Evening with Kevin Smith. I find it awe-inspiring watching Mr. Seinfeld start over again at a point when he could retire; he doesn’t hold back on how hard it is coming up with a whole new routine. And Kevin amuses as he gives you insight to his creative side and how he creates.

My next goal is to find local resources to feed that Muse. It should be fun trying to find something like that around here. I’ve been thinking of talking to the Dog & Bone about holding a writer’s circle weekend afternoons or something, but I’m afraid of the type of writers I would get. Then again, I’ve never done anything like that, so I wouldn’t know what to do.

I’ll figure something out.

7.15.2006

You'll Find My Pencil Up Your Ass

Two chapters into the Twyla Tharp book, The Creative Habit: Learn It And Use It For Life, and my head spins.

1. Rituals and routines – I need one. After contemplating simple things I could to do to switch from domestic life to creative life, I have come up with closing the door to my bedroom and reading a book about writing, grammar, etc. for at least fifteen minutes.

2. Despite my best hope, she does make mention of “sacrifice.” She ties it nicely into rituals of yore, when lambs were slaughtered, bleed in the right way and stacked on fires to appease the gods. Rituals are a way to gain control or feel as if control could be gained.

One of the things I find so frustrating about these books is most come from the point of view that we fledglings have nothing to do with the rest of our lives but create. Sure, if I had editors, deadlines, agents and incoming checks, I could afford to sacrifice. However, I have a son to feed, a husband to love, family that needs me and friends that love me. Believe it or not, that does take a huge chunk of my day. I don’t watch a lot of television, watch a lot of movies or even listen to all that much music. If I had wasteful parts of my day I could heave onto the deity bonfire, I would happily and willingly.

Instead, I’m stuck finding what little fat I can cut from this lean life. Some flavor will end up on the flames, though it’s not as fucking easy as she makes it sound.

3. Her creative exercises at the end of chapter two are not “exercises.” I mean, “Where’s My Pencil?” I don’t even understand what she wants me to do other than think of the thing that made me want to become a writer. I have things in my head. If I don’t leech them out somewhere, my head will explode. As anyone with experience will tell you, getting gray matter out of carpet and upholstery isn’t as easy as one would think.

Why do these things piss me off? I pick up book after book, searching for guidance and ideas, only to end up wanting to rusty-sporking something into an infectious death. I know these writers are trying to help, so why does it piss me off?

7.03.2006

I'm Sorry, You Fucking Tit

Google “How To Apologize.” Go on. I dare you.

The first link that comes up pretty much covers it. When and How to Apologize sums up the simple steps of how to apologize. Shall we review? I think everyone needs a refresher.

1. Take responsibility. You screwed up. Own it. It’s no big deal. We’ve all screwed up at some point and time. Nine times out of ten, the person you’re apologizing to will understand. As G.K. Chesterton said, “A stiff apology is a second insult. The injured party does not want to be compensated because he has been wronged; he wants to be healed because he has been hurt.”

And hey, if someone’s apologizing to you, grow a spine and apologize back. It takes two to tango, and you probably fucked up along the way as well. Own it. It’s no big deal. Let the healing begin, fuckhead.

2. Explain. Don’t excuse – because there isn’t a good one for hurting anyone. Adding on stipulations and modifiers to your apology only shrinks it down into one big rationalization for you. Stand on your own two fit and say, “I’m sorry. I don’t have any excuse for doing what I did.”

“Never ruin an apology with an excuse.” Kimberly Johnson is right.

3. Show regret. Yeah, you screwed up. Feeling bad about it is natural. The fact that you regret will make the apology go down easier. It’s not weakness to admit you’re human. It’s weakness pretending your not. And it’s unforgiving to act like you’re better than (even if you are).

“True remorse is never just a regret over consequence; it is a regret over motive,” wrote Mignon McLaughlin in The Neurotic's Notebook, 1960.

4. Repair the screw up. Restitution makes things better. Saying your sorry is one thing, being sorry is another. Offering to repair damage shows that you are, indeed, sorry.

5. Timing. “Oh, I’m so sorry I called you a fucking cunt whore bitch” four weeks later is probably too late. Sometimes, the worse the screw up, the more time and tact needs to be involved.

6. Don’t keep count. Like the webpage said, “It's not about who ‘won’ or who ‘lost.’ It's about keeping a strong friendship.” If you’re keeping count, then maybe you need to pack a lunch in your Carebear lunchbox and head back to grade school, you fucking baby.

Stephen Covey said, “It takes a great deal of character strength to apologize quickly out of one's heart rather than out of pity. A person must possess himself and have a deep sense of security in fundamental principles and values in order to genuinely apologize.”

Sure, it’s easy to ride the wave of “I’m better than you because I’m apologizing first.” Righteous anger is such a dangerous drug, easily addictive and sweet to the taste. Fools fall under its spell and forget the importance of friendship, kindness and courtesy towards others. Apologies should never be about you, it should be about the other person.

I like Emily Kimbrough’s words: Remember, we all stumble, every one of us. That's why it's a comfort to go hand in hand.

We’re all in this together. Why do people insist on screwing with their teammates?

5.28.2006

Never ending cocoon

Warren Ellis posted this to his website last night. While I believe there's a hint of mockery to it, wherein deep down, he loves his life, I also long for the reputations that deadlines hold. Not only does it add fuel to the motivation fire, deadlines feed that hunger to be needed and read.

This is the stage most writers never make: gestation. I sit here on a Sunday afternoon, bordering on drowsy, with the urge to put pen to paper pounding in my chest. Paycheck job was hard this week, and will be for the next month. I'm going to be physically exhausted at the end of days to come, yet guilt over not reading my The Elements of Style drives me to want to drink. I should give myself a break, because I'll have time after I loose my job. Yet, time weighs on me like the weight of the world on my shoulders.

I feel as if my wings are trapped to my back. Squirming and wiggling, they're never quite comfortable trapped in this cocoon. Yet, I'm not strong enough to break free. I cannot imagine living the rest of my life in the circular, compact husk. While I know I'll never be comfortable, that's not in the cards for any artist, I wish for a different type of discomfort now.


5.21.2006

Hard than most

Miss Snark said each writer needs two of this book: The Creative Habit: Learn It and Use It for Life, by Twyla Tharp. Immediately, I ordered the paperback from Amazon. It arrived Friday.

I am scared.

Eight pages in, she debunks the whole theory that talent or "being kissed by God" will be enough to propel any artist to greatness. Based on her own life and the lives of other creative geniuses, she uses Mozart as an example, she states that being creative is nothing more than hard work.

Hard work. That's it? That's all? Crap in a hat.

A very good, trusted friend pulled my butt out of the self-flagulating, depressive fire recently. As I tore through two grammar books and a book on writing, I fell into this pit. Being dyslexic, how could I ever hope to become published? Swing a dead cat, I could hit someone saying, "I'm trying to write here!"

What's the point, right? At least, that's what I was thinking until my friend said, "So? It means you'll have to work harder. That's all."

That's all.

I can do that. I can read books about grammar and writing. I can read blogs and journals of writers, editors and creative-types, mining what I can about what it is I want to do. I can tear apart books with sharp teeth like a starving wolf, digesting their meaty, gory substance. And I can write, sculpt, and proof. I can put my stuff out there.

I can.

That scares the fucking shit out of me.

5.18.2006

Okay, when did the tornado hit and take me over the rainbow?

I received a new "post" at MySpace.com. Granted, I never use my MySpace.com account unless it's to bitch about MySpace.com. However, some user read my bio and sent me something. Information on a new speculative fiction magazine that's slated for print this Fall. They're looking for "enjoyable, character-oriented stories which engage the reader." No word count limit, no other guildlines beyond that; a featured story chosen will receive $50.

On the website, it reads 150 days to submit. I wonder if I could produce something worth publishing in that time.

5.16.2006

Take a bath

I want to know what the fuck it is about warm water that effects my brain. I cannot take a shower or a bath without some fucking great piece of writing hitting my brain about half way through the cleaning process. I know, I know, I hear you - don't complain. But if I can find out why warm water on my skin turns me fucking Walt Whitman, maybe I can duplicate it when I'm in front of the goddamn computer screen.

5.07.2006

Writing Rant

2,394 words. I wrote, sculpted and proofed 2,294 words on Saturday.

Impressed? Don't be. I wrote them for a role-playing forum. I'm setting up the game world for other to play in. Nothing payable or publishible.

That bugs me. I console my gnawing innards with the balm of "I'm working out my writing process." I am. Starting from scratch, I'm relearning grammar. Instead of masturbating on the page, I'm masturbating, forming the spew into a child and infusing it with life. I hope. That's the idea.

I'm making sperm babies. Heh.

Fah, I have these flash, moments I believe. Dillusions that live long enough to walk through my chamber of self-doubting fire. They're only ghosts, specters, things of fluff and smoke.

I have to keep telling myself: this is going to be harder for me than others. I'm going to have to work harder, keep myself down to make myself strong enough to make it. I can't be weak. I can't be idealic or fanciful.

Mean. Snarling. Rough.

That's hard to do if I'm the least bit tired. Like now. I have more to write, but I'm so whipped that I can't even hold creative thoughts in my head. Like water, they dribble out my ears and down my back. I don't even get to see them.

A friend said I'm too hard on myself. If not me, then who will be? Time passes in a blink of an eye. I can't wait for good fortune to come find me in time. At least, I have to meet her halfway, right?

4.27.2006

The Blank Page Tells It All (Fiction)

“Who do you think did it, Professor?”

Stroking the golden stubble on his cleft chin, he narrowed his beady eyes to two, uneven slits. He stepped around the private, wood-laden library as if the dark, plush carpet were made of eggshells. His breathing sailed steady and true through the hush of the drapery and tome. The Professor stopped by the ample, mahogany desk and squatted until his spindly legs formed triangles. “Well, it’s hard to say. Are we sure no one was in the room at the time?”

“The door was unlocked.” Twisting the glass, brass knob, his faithful assistant, E.B., swung the stained door open.

“Right. And did the maid say she heard anyone?”

Exhaling the smoke from his half-smoked cigarette, the lanky sidekick pushed off the wall into a full slouch. His tattered trench coat hung off him like a dead thing, licking around his stubby legs as he walked. “She’s deaf, Professor. Her TV was on full blast all night.”

He knotted his thick brow. Bending over, the Professor examined the desk chair’s wheels closely. A calloused finger caressed the top plastic arch before moving onto the next. Finished with each, he straightened to examine the seat. “Anyone else home?”

“Sure, the cook, the butler, Senator and Mrs. Davis, their kids, but they’re all dead.” Hanging along the walls, E.B. sauntered as if he were a bum with no home. He stuck his hands in his pockets to keep from picking things up that he shouldn’t. Smoke from his cigarette caused him to squint. “Oh, Mrs. Peacock had tea with Professor Plum in the conservatory. And there’s a house guest.”

“Ah-HA!” The Professor pinched an invisible something between his finger and thumb. Holding it up, he focused on his discovery. “Would this houseguest happen to have dyed hair?”

“Possibly, yeah.”

“Black?”

“How do you know?” Stubbing out his cigarette in a free-standing, marble ashtray, E.B. rolled his shoulders before sighing. He rubbed his fingertips together.

The Professor’s grin said everything about smug and nothing of humility. He bobbed his eyebrows. Pulling a small envelop from his coat’s interior pocket, he dropped the unseen hair into it. “Tell me more of this house guest.”

“There’s not much to tell.” Turning his back on his friend, E.B. pushed his glasses up his round face before fingering the spines of books along one wall. Bookcases dominated from floor to ceiling. “She’s the only body missing.”

“How do you know there was a guest and she was killed?”

“Guest bathroom’s covered in blood and towels. Bed’s been slept in.”

The Professor halted dead in his track of examining the chair back. “Explain to me why she isn’t a suspect?”

“I don’t know. I’m telling you what the police told me.” Stepping sideways, E.B. continued to inspect the dictionaries and writing references on the middle shelf. He smirked. “Do you really think a house guest would cause all this carnage?”

“Are you kidding? Who else could’ve done it?” Standing, the Professor pulled the chair with tender, loving care away from the desk. Grinding out a faint, dying squeak, the wheels moved over the floor as molasses would over flypaper. He stepped into the space it occupied. On the desk top, stacks of books flanked various leather bins that hoped to keep things organized. In the center of the desk pad, a small, grey laptop slept with its screen folded closed. “She’s the only one who’s still sucking air.”

“How do you know the guest’s a she?”

“Well, three reasons. One,” glancing back over his shoulder from under his unkempt mop of hair, the Professor waved to the chair behind him, “the indentations in the leather seat are from a female shaped ass – “

“Oh, you’re so full of sh– “

“Two, the black hair dye used is marketed to females who shop Hot Topic. I recognize the blue to black ratio. Plus, the lack of damage to the hair tells me it wasn’t purchased at a drug store.”
E.B. blinked. “Eh, okay, maybe. What’s the third thing?”

“The amount of towels in the guest bathroom. It’s a horrible stereotype, but it’s true. Women use more towels than men.”

“Pig.” With a grin and shrug, the sidekick slipped along the bookcase. He skimmed the dust covered bindings as if a clue would pop out. His gumshoe ambling brought him closer to the desk. “Well, let’s say you’re right. The house guest’s a she and she’s alive. How do you know she wasn’t kidnapped by the real culprit?”

“No signs of forced entry. No indication of anyone other than family or help have been in the house besides the house guest. No eye-witnesses claiming to see a stranger in the neighborhood.”

“Hey! I thought you said you didn’t talk to the cops!”

The Professor chuckled. Sliding his fingertips along the new laptop, he unlatched the lid. His eyebrows rose, bunching skin to steal his youthful appearance. The computer’s fan whirled as he pushed back the screen. Waiting for the black screen to buzz to life, he lifted the front edge. He peered underneath the laptop, scrutinizing the desktop beneath. “I didn’t. You have a loud voice.”

Propping his shoulder against the thick collection of Emily Dickenson, E.B. folded his arms. “Fine. What proof do you have that this houseguest did it?”

“Easy.” The Professor cleared his throat. Gingerly, he replaced the laptop. Much like a drunken ballerina, he swung in place to face his friend. “The Davis’ are a wealthy family by all aspects of their home. They come from a societal background. Based on their zip code, various awards and pictures in the hallway, I would say they are old money.”

“Fair enough,” smirked E.B. “Easy enough.”

“Old money means old customs – like supporting the arts. Writers fall into that group.”

“I’m gripped by your snappy deductions here.” Rolling his eyes, E.B. slouched more.

With a flourish, the Professor waved to the small laptop on the oak desk. The bright screen showed a blank page of a word processing program.

“Yeah?” Scowling, the sidekick snorted. “That doesn’t mean anything. She – if the culprit’s a she – could’ve been writing an email or love letter or grocery list.”

“Unlikely. You see, the page is blank. Everyone in the house is dead.” Clucking his tongue, the Professor pulls a pack of cigarettes from his overcoat. “I can’t believe you can’t see this.”

E.B hung his jaw open. His eyes blinked to clear his line of vision. Pushing off the bookcase, he sauntered over to the writing desk. He bent and peered into the blank page, tilting his head this way and that. He stood up, staring. “I don’t see anything.”

“And this is why they call me and not you.” Lighting his cigarette, the Professor clicked his beaten silver lighter shut. He exhaled a long, steady stream of smoke.

“Funny, I’m the asshole that answers the phone.” Smirking, the sidekick strolled over to the door. He peered out into the hallway to see if anyone else was about it.

“Deep indications still visible – “

Snapping back into the room, E.B. pointed at the Professor. “Only to you.”

“- on the chair indicate sitting at length at this desk. If she sat here so long, where are the words she wrote? If she saved it and took it with her, why is there a blank page? Why not just close the program?”

Throwing his arms up, E.B. shook his head to whatever psychotic deity looked down. He shot his friend a glance, indicating how little he cared for this exposition shit.

The Professor chuckled, dragging on his smoke. “Writer’s block. Severe writer’s block.”

E.B. froze with his jaw dragging the floor. “You’re saying writer’s block caused all this?”

“Yep.” Shifting from one foot to the other, the Professor rocked into a slow walk. Heading through the door and down the hall, he didn’t check to see if his friend was in tow. “Depending on the author herself, the pressure of a deadline could easy cause anyone to snap. Success and failure hang from her fingertips – and if nothing comes out of her head that’s even remotely useful – well, depression, fragility of ego – it explains the amount of blood everywhere.”

“She couldn’t beat the page, so she killed everyone in the house.” Trailing, E.B. knotted his brow unconvinced. His shoulder brushed along the frames of pictures, awards and memorabilia lining the walls, knocking a few askew. The hallway emptied out into the foyer. Black and white tile echoed their footsteps, capturing the attention of the police guarding the second floor.

Stopping at the bottom of the winding, split staircase, the Professor spun as he pressed his cigarettes to his thinned lips. Inhaling, he paused as his eyes darted about the room. “If she had a typewriter, I’m sure she would’ve beaten everyone to death with that.”

“What makes you say that?” Nodding to the flatfoot on the mezzanine, E.B. kicked the bottom, carpeted step. His shoulders draw up with tension. Looking up to the second floor, he waited for word to pass to the chief.

“Easier to hold and swing – more weight per blow.” The Professor used an under-arm swing of an imaginary typewriter to clunk his companion’s jaw. He screwed a sardonic smile before taking another drag from his smoke. “These new laptops – so light weight. There’s no point in having one if you’re just going to kill people.”

“I don’t think that was her goal. By your assessment, she’s a writer, not a killer.”

“No, I don’t think she came here to commit any crime.” Clearing his throat, the Professor glanced over shoulder. He nodded to the silver vase, crystal egg and various masterpieces that announced the Davis’ level of wealth. He smiled as he leaned into his friend. “But out there, right now, is a writer bent on destruction, all because she can’t write.”

© Mary Lewys, 2006

Fuck your genre

I do not need to know my genre to write well. Hell, give me a basic plot: boy meets girl and boy looses girl due to a character flaw he obsesses about hiding. I could write that story for any genre. Genre means rules to meet the reader’s expectations. Romance to Sci-Fi to Fantasy, all those genres have constructs to define them in clear terms. Speculative and Fiction tend to blur.

What I am focusing on is writing well. Grammar, sentence structure, and words are the essentials to writing well (I almost put down “good writing”). Once I have a stronger grip, I’ll be able to build and form stories. Working out characters, settings, times, introductions, actions, climax, and resolutions will give me the keys to publishing in print.

Genre comes from my agent or editor; it may even come from the publisher. I don’t know. I haven’t made it that far. First, I have to interest someone in publishing my work. The only way to do that is to write well.

Besides, how can I ever be objectionable enough to judge my work? I have a hard enough time sifting through to clean it up. Shifting headspace to focus harder taxes my poor, cracked brain; dyslexia is hard enough. I can’t expend extra energy to dissect bookstore category for my work. And why would I do that when I haven’t even found someone who’s willing to publish me?

4.26.2006

My first post

Meltdowns happen more frequently now. I wonder how long I have until I crack.

Last night’s happened due to a friend being unable to comprehend my words. Well, it started there. In a LJ comment, I pointed out that a certain issue was sensitive by explaining how discussion said subject before caused me to “tizzy.” Apparently, this wasn’t a big enough clue. No, his point of view was more important than my feelings on the matter. He proceeded to give his little example, making sure to tell me I was wrong without actually saying it.

Because he’s a friend in good standing for a long time, I listened to him. Since I cannot ever truly see myself as I am, I rely on my fucking intelligent people friends to do so. The problem with fucking intelligent people is their tendency to know things without knowing how to relate things. Wise motherfuckers are for that. Wise motherfuckers many not know as many things as fucking intelligent people, but they know how to talk about what they do know. Wise motherfuckers take time to understand their audience.

Before you say a word, I know, I know. I’m relying on a faulty system (human beings) to accurately reflect, but it’s the only thing I have. I need more wise motherfuckers than fucking intelligent people in my life.

As I start to cry on the couch with my laptop in my lap, hubby tried to console. He’s a darling of a man who would give anything to have me feel better. I pointed out that he doesn’t have these problems because everyone loves his comic strips. As a means of explaining why, he pointed out that he doesn’t discuss his strips.

At the time, and still, that comment struck me hard. Being scarred and tortured Catholic, I leapt right to blaming me. Because I discuss writing online, I open myself up for these clueless wonders expounding their ideas on shit they know nothing about. That may be true, but that doesn’t excuse assholes from being assholes. I refuse to be responsible for them. As of right now, I’m done being fair and nice to them as well.

So, that’s why I’m here. I’m telling no one about this place. Here I’ll post about my writing and about my anger issues. This is my “fuck you” to everyone who doesn’t know shit about how to talk to crazies.